Set in early renaissance Europe, a plague known as The Red Death makes everyone it touches bleed from every pore of their body -- an excruciating end to the lives of millions. Yet safely within the sealed keep of tyrannical nobleman Prince Prospero (Vincent Price) an endless party of sinful delight and decadence goes on. Three peasants are also trapped with them whom Prospero plans to use as both fodder for his court's entertainment and object lessons to spread his satanic gospel.
As inhuman as Price's Prospero seems, he's also potently charismatic, and slowly convinces and compromises peasant girl Francesca (Jane Asher), whose life and faith (and the lives of her fiancee and father in the dungeon below) hangs in the balance, towards her first tentative steps to a darker illumination. At the same time his courtship of the naive Francesca destabilizes his relationship with fetching princess and disciple Juliana (Hazel Court), making for poisonously royal intrigue.
[It almost looks like they've been caught doing something ... .] |
While much of this plot is not in the original 30-page short story, Corman integrates Poe's "Hop-Toad" too, and adds fitting elements to flesh out a top-notch hour and a half. And a viewer would never know Corman worked on a less than shoestring budget, with only five weeks to deliver it. Early Universal monster films aside, there are few other horror offerings more classic than this parade of costumed revelers, garishly gorgeous path color splash, and soul-stirring dialogue.
So put on your best Venetian mask and listen as Prince Prospero mellifluously intones, "The way is not easy, I know, but I will take you by the hand and lead you through the cruel light into the velvet darkness." Thank you for the soirée, sweet prince.
[Francesca listens to Prospero!] # # # While a mostly happy bookstore fixture for over two decades, Guillermo Maytorena IV is currently willing to entertain your serious proposals for employment as a literary/cinema critic, goth journalist, castellan, airship pilot/crewperson, investigative mythologist, or assisting in a craft brewery. Should you be connected to any of the above or equally interesting endeavours, do contact him via LinkedIn or G+. |
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