But think ahead: When the goggles of Internet 3.0 go on, what happens to Internet 2.0's collections, community associations, expressions of fandom, 140-character blatherings, your unboxing videos, that food photo gallery you made, and especially the network of online professionals/friends/strangers you've built? Will internet 3.0's new paradigm of altered reality & virtual reality interfaces just write those off like a wind into a house of cards, scattering your decade of 2-D wall postings into oblivion?
Granted, there's a majority of user emphasis on the moment, on the post of the now. The backcatalog of content isn't usually gone through, as it seems viewers only want the new postings from the time forward from when they joined or subscribed. (Yet I know I scroll back, feeling like I'm digging for buried treasures when I discover a subject for the first time, playing catch-up to the group's reactions to episodes, or news, or evolutions in that subject.)
And granted, there's alot not to like about the current circle jerk of material, those deformed viral cats, the overposted meme, political/religious outrage, historical fingerpointing, racist interjections, trolls, and a safe anonymity from which to flare out any unintelligible, unfounded, or unmerited thing they please. There are no sacred cows, no respect, and thus no real convincing anyone about anything. Unattributed content is a particular pet peeve of ours as originators of artistic & informational value should always be recognized.
There's a lawlessness that's beyond apology, and a freedom that produces great beauty, and as audiences & authors we suffer one to enjoy the other.
[Where have you gone, ASCII art?] |
Fixtures of Internet 1.0 didn't weather the transition with the prestige it once had. Large 2.0 social media hubs quickly usurped the attention & content from former giants like The Well, Usenet, LiveJournal, Angelfire, Geocities, and other once-established specialty niche threaded forums with participation ranked user mini-profiles.
Thus it's our concern that our irreplaceable time, our recognitions, and our creative output not be unmade, or left behind in the ignored cyberbasement. We wouldn't have bothered if we hadn't felt they were worth posting in the first place and at this point we feel having them sidelined would be unacceptable.
We would like to trust the current social networks to create an importing tool, something that will transform our postings into galleries or collections that will attach to our avatar or float near our person or decorate our virtual castle to summarize this cyberpublic history of ourselves, perhaps a recognition emblem of legacy content that can still be carried forward & explored by others. Yet watching how companies abandon software & applications with no consideration for the loyalist user who believes in the platform or format more than they do, we fear they may do the same in this newfound digital arena.
[Yes +Google VR , we're specifically asking you on behalf of your 300M social media users & the internet as a whole. And +Magic Leap & +Neal Stephenson , we're curious if you've considered our concerns, as we like your ideas.]
[The Augmented Reality overlay as drafted by Magic Leap.] |
We'd love some sort of Tronscaped interface option, which would clue into the cyberspace aesthetic we've anticipated since William Gibson first wrote & +Steven Lisberger first imagined.
[Map of The Grid!] |
So we wonder with 3.0 just over the crest of the digital tomorrow, should we still be bothering to post & look as much as we do if it's all going to be binned? This uncertainty makes us hesitant, the unanswered question disturbing in its consequences.
I've got books to read in the meantime, which aren't going to change anytime soon, and a map to make. Someone do let us know before this continues, yes?
# # #
While
a mostly happy bookstore fixture for over two decades, Guillermo
Maytorena IV is currently willing to entertain your serious proposals
for employment as a literary/cinema critic, goth journalist, castellan,
airship pilot/crewperson, investigative mythologist, or assisting in a
craft brewery. Should you be connected to any of the above or equally
interesting endeavours, do contact him via LinkedIn or G+.
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